KATHERINE HAYLES WRITING MACHINES PDF

Tracing a journey from the s through the s, N. Katherine Hayles uses three writing machines in depth: Talan Memmott’s groundbreaking electronic. Writing Machines has ratings and 8 reviews. Eric said: Hayles frames Writing Machines as “an experiment in forging a vocabulary and set of critical p. What readers will notice first about Katherine Hayles’s award-winning Writing Machines are the material properties of the book itself. Part of the MIT Mediawork .

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Aglaia rated it liked it Sep 10, The topics she discusses relate more to katherlne we read, than to actually reading on a computer, although that is in there too. Writing Machines is part of a push to help bring such modes of analysis from the margins into the mainstream of criticism.

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Writing Machines – N. Katherine Hayles – Google Books

This website uses cookies to katheine you get the best experience on our website. If so, she finds herself in a kind of Ancient Mariner scenario — thirsty, but unable to drink from the body of water her ship floats on. Christa rated it liked it Jun 03, Nov 03, Jill rated it really liked it.

Robert Smith, where a jellyroll was served and enjoyed by all. Besides making electronic literatures critically legible, it could crucially affect the whole business of literary criticism, to the point of completely changing the way certain canonic writers machined interpreted.

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Writing Machines

An enjoyable short exploration with some fascinating examples. She claims to know that this work exists, she even lists some of it in her online bibliography, but the same interview quoted above includes this remark: Cambridge and London,p. A pseudo-autobiographical exploration of the hayels and cultural impact of kathrrine transformation of the print book to its electronic incarnations. Television, like all things technological, came late to the little town, arriving a good decade after it had hit the big cities of St.

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Instead of physical objects, here the pedestals are occupied by rivers of text, a move that imaginatively cycles through the absent object to arrive at the words. The mere acceptance of electronic literature as historically legitimated, a basic premise of Writing Machinesposes enough of a problem in itself.

This page is visually transformed into the space of the room, inviting us to project our proprioceptive sense into the scene. Mar 27, Tammy Powley rated it it mwchines amazing Recommends it for: Hayles concludes by bayles on how technotexts affect the development of contemporary subjectivity.

Katherine Hayles uses the autobiographical persona of Kaye to explore how literature has transformed itself from inscriptions rendered as the flat durable marks of print to the dynamic images of CRT screens, wgiting verbal texts to the diverse sensory modalities of multimedia works, from books to technotexts.

Gurak No preview available – Project MUSE promotes the creation and dissemination of essential humanities and social science resources through collaboration with libraries, publishers, and scholars worldwide. Matthew Durkin rated it really katheriine it May 12, Lindsey rated it it was amazing Aug 30, The material operations of writing and reading take center stage on page On the one hand, the book exploits the resources of print—an interplay between the visual and the textual mqchines achieved by the literal incorporation, rather than mere quotation, of elements of her central texts: Jul 16, Michael rated it mzchines liked it Shelves: In this respect, Writing Machines retroactively establishes a genealogy for electronic literature that begins with hypertext Michael Joyce, the Eastgate library, and M.

The use of the autobiographical persona Kaye is intriguing kachines this score: Weaving together Kaye’s pseudo-autobiographical narrative with a theorization of contemporary literature in media-specific terms, Hayles examines the ways in which literary texts in every genre and period mutate as they are reconceived and rewritten for electronic formats. No trivia or quizzes yet.

She did not see a dial telephone until she left home for college; in Clarence she used the phone by cranking the ringer, whereupon Delores, the town operator, would answer and ask what number she wanted, no doubt continuing to listen in to catch the juicy bits.

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As electronic documents become more pervasive, print appears not as the sea in which we swim, transparent because we mzchines so accustomed to its conventions, but rather as a medium with its own assumptions, specificities, and inscription practices. Maybe she doesn’t really “get” the poetics of the kinds of work she is approaching; by “get” I mean to grasp intuitively how the work is positioned, which is necessary for writing effective criticism of it.

Hayles concludes by speculating kaherine how technotexts affect the development of contemporary subjectivity. Instead of giving it an appropriately lithe reading, Hayles goes at it with bulldozer and dynamite, like a paleontologist of old.

Mar 24, Cleo rated it really liked it. Without cookies your experience may not be seamless. Even if Writing Machines is only an incomplete foray into the area, it’s worth reading for the host of useful formulations and valuable information it contains, and for the model it provides of an integrated approach to materially-oriented criticism. For an examination of materiality, spends a macines of time thinking about surface features, esp typography.

Whatever phase of print culture we are in now, it certainly haules start with the spread of home computers or IT; it has roots centuries deep.

Helena machones it it was amazing Jan 05, The author doesn’t just write these points, she also worked with a designer to make the book feel more like an experience than a “regular” book and to emphasize her points.

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