Get this from a library! Kreuzspiel.. [Karlheinz Stockhausen]. Analysis and appreciation of KREUZSPIEL (Cross-play) and SCHLAGTRIO And finally, revising the score during rehearsals or after initial performances. Kreuzspiel (English: Crossplay) is a composition by Karlheinz Stockhausen written for oboe, bass clarinet, piano and four percussionists in It is assigned.
|Published (Last):||23 November 2012|
|PDF File Size:||11.96 Mb|
|ePub File Size:||2.89 Mb|
|Price:||Free* [*Free Regsitration Required]|
Before the audience enters kreuzzpiel auditorium, the piece should be played through once completely. Newer Post Older Post Home. The sound of the rim-shots should be an equal mixture of skin head and wood rim ; therefore, it may be necessary to play the head louder so that it can be clearly distinguished from the rim noise.
Kreuzspiel – Wikipedia
The tumba tremolo groove continues but with increased tom-tom accents. The highest octave should be played one degree louder than notated. No Linguistic Content View all editions and formats. The high and low notes gradually spread from the piano parts to the kreuzspie clarinet and oboe the bass clarinet enters at bar 28, oboe at bar The second movement carries out a similar formal process, only kreuzspeil in the middle register, spreading out to all seven octaves, and the contracting again to the middle.
Your list has reached the maximum number of items. The compact discs may be obtained from the Stockhausen-Verlag: The oboe and bass clarinet are amplified, with one microphone each. From Wikipedia, the free encyclopedia. The loudspeakers should not be tipped downwards.
The conductor should conduct relatively high, but unobtrusively, yet giving clear entries for the synchronous beats. Isolated high and low piano notes bracket soft middle register chords built from the pitch series.
This page was last edited on 23 Juneat The 1st and 2nd stage pitch material for the piano are combined played at the same timebut in reverse. It is important that the height of the tom-toms is correct in relation to the percussionists’ hands; it may be necessary for the percussionists’ podia to be different in height, so that the rims of the tom-toms are at the same level as the upper edge of the piano case while, at the same time, being at the right height for the rim-shots to be played.
At bar 78, the 2 timpani players have a duet.
Add a review and share your thoughts scoee other readers. Articles containing explicitly cited English-language text. A constant tumba tremolo pattern provides a background “groove”, but uses accents to express 2 sets of 12 duration values.
Home About Help Search.
Even without being aware of the “crossing” of pitch fields, the melodic elements of the pitched instruments interact with the percussive rolls and accents in a very organic, almost “jazzy” way. There is no explicit playing instruction for cases when short notes such as sixtheenth notes, sixteenth-note triples stopped beats: The numbers indicate the general historical order of the works.
It is recommended to acoustically screen the sound of the tom-toms by placing pieces of thick dense foam rubber below the piano facing the tom-toms. It’s fairly easy to appreciate the music just by listening to how the tom-toms and the piano parts set each other up. Drinking Hanging Out In Love.
Each CD in this series is identified by Stockhausen’s signature followed by an encircled number.
More like this Similar Items. A microphone on a low stand is placed half left beneath the piano to amplify the lower register, and a contact microphone and possibly in addition a second, normal microphone beneath the piano to the right to amplify the higher register — particularly the top octave.
WorldCat is the world’s largest library catalog, helping you find library materials online. The piano also plays soft middle register chords throughout. Though routinely described by the composer as well as others as a ” serial ” composition, Kreuzspiel does not employ a referential, recurring twelve-tone ordered set. A performance of Kreuzspiel was broadcast by West German Radio Cologne in December ; the first public “in-person” performance took place at the Darmstadt Summer Courses on July 21, kreuzspiwl Romantic Evening Sex All Themes.
These gradually move into the four middle octaves until an equal distribution of krezspiel throughout the entire range is achieved at the centre of the movement. Please enter the message. Advanced Search Find a Library.
A sound projectionist in the middle of the hall regulates the balance of the players. The E-mail Address es acore is required. Streams Videos All Posts. The specific requirements or preferences of your reviewing publisher, classroom teacher, institution or organization should be applied.
The name field is required. For the high piano pitches which have no mutes, it is recommended to depress the right pedal just before playing the note and release it precisely with the end of the note.
Stockhausen realised the electronic music and participated in these recordings as conductor, performer, sound projectionist, and musical director. Compositional control of these shapes is determined in the first stage through the parameter of scode, while in the second stage the dominant element sxore pitch Kohl Genre Chamber Music Classical.
The E-mail message field is required. A tom-tom crescendo leads to the 1st stage. You may have already requested this item.